If You’re Tired Of The Same Old Story, Oh, Baby, Turn Some Pages


Here’s something that’s been weighing on my mind: it shocks me that Cabin In The Woods doesn’t have a much stronger following and I genuinely cannot come up with a reason for its lack of one.  I saw it twice in theaters and have watched it 3 times since it’s been an instant watch on Netflix.  I LOVED it during the first viewing and have found that even after a few more, it totally holds up.  The thing about it is that it’s fun and at times hilarious, while at others, really scary.  It’s a must-see for fans of the horror genre, like myself, while others who could take or leave horror will also enjoy it.

Longtime lovers of scary movies like me can appreciate all of the clever shout-outs to horror flicks of old.  In fact, Cabin In The Woods is kind of a tribute to the whole horror genre.  Writers Josh Whedon and Drew Goddard take every cliche and stereotype we’ve come to associate with scary movies and puts them all together AND supply a fun and interesting explanation for them.  They very smartly and creatively find a way to BOTH strictly follow the formula and make something completely original.  They somehow manage to make a horror flick that is every bit a generic horror flick, that is like every other horror flick ever made, while, simultaneously, taking that seemingly generic premise and using it to disassemble and reconfigure the formula we’ve seen in horror flicks since the spawn of the genre.  This film is so much more than a zombie movie or a slasher flick or even a supernatural story.  It is everything all at once.  And IT WORKS.  It even has some social relevance while still managing to never take itself too seriously.  In all honesty, I think it’s kind of perfect.

The acting is mostly good (I say mostly because there is one actor whose performance is slightly sub par – but hers is the ONLY one), good enough, in fact, to give these stereotypical characters surprising depth.  Like every other aspect of this film, they are two things at once: the cliched caricatures we’re used to seeing in scary movies and very much, well, not.  And in addition to the scary stuff, which is often pretty scary, there’s an abundance of excellent humor that lightens it up.  For this reason alone, it is definitely a crossover film: it appeals to fans of the horror genre and those who usually shy away from it.  There’s eye candy for all (I could make a sandwich with Chris Hemsworth and Jesse Williams) and even one completely awesome cameo by a woman who has become an icon in the sci-fi world.  Like I said, perfect.


There’s also a big, big, big, big surprise ending that, for me, sets it apart from damn near every other film (horror or otherwise) I’ve seen.  It takes a lot of balls to end a movie in such a way and for that, kudos to Whedon and Goddard.  I’ve read that before the first screening, Whedon told the audience something like, “Enjoy it and then keep it to yourself.”  Because it’s very much like Fight Club in this way; the first, second and third rules about Cabin In The Woods are: You don’t talk about Cabin In The Woods.  To be less vague and disclose any more detail than I already have is to rob you of the sheer joy you’ll feel when you realize that this film is irrevocably and unapologetically going balls-to-the-wall, batshit bonkers.  This moment first shows itself in a scene in the second act that I call “The Purge” which is quite possibly the coolest fucking scene in any scary movie, EVER.  As well as frightening and funny and thrilling and wildly fun in a shit-yourself giddy kind of way all at the same time.  Which is in itself a rarity in any film and even more rare, is that I could use that same sentence to describe the movie itself.

If you’re a fan of horror flicks, you have to watch this.  If you’re not, you still should watch it because whether you care about all the details that pay homage to the genre or not, Cabin In The Woods is one wicked fun ride.


Yours Are The Sweetest Eyes I’ve Ever Seen

People magazine recently named Channing Tatum as the Sexiest Man Alive and, while he obviously takes very good care of himself, I must admit he just doesn’t do anything for me.  Appearance matters, of course, but just as much (if not more), substance is what makes a man sexy (to women).  By which I mean, his sense of humor, his I.Q., his ability to listen and communicate, his wit and integrity of character – these are the things that draw a woman’s attention.

Charming Potato is by no means unattractive but he seems little more than your average jock.  A beefcake, if ever I saw one.  Here are 8 actors every bit as good-looking and infinitely more interesting than Channing Tatum:

Ewan McGregor

Idris Elba

Joseph Gordon Levitt

James McAvoy

Michael Fassbender

Jesse Williams

Tom Hardy

Chris Hemsworth


In That Tiny Kind of Scary House, By the Woods, By the Woods, By the Woods, By the Woods – SPOILER FULL!

Source: Wikipedia

After our recent viewing of The Cabin in the Woods, the much-buzzed about horror film from the mind of Midas – I mean Joss Whedon, Annie and Nikki decided that I should be the one to write the review, since I was basically bouncing out of my seat with joy, excitement, and satisfaction. Word of warning: If you haven’t seen this yet, please don’t read any further. Check out Annie’s spoiler free review, because this one is going to be full-on spoilerific. Seriously, do not read this if you haven’t seen the movie. You will be robbing yourself of a lovely experience. If you read this review before seeing the movie, you are one of those self-destructive people who likes to destroy their own happiness. You have been warned!

The Cabin in the Woods is a horror movie, yes – but it is so much more. Horror fans will likely enjoy it – and though I can take or leave the genre, I had a positively grand old time. All the horror elements are there (quite literally) – along with fantastic gore, and certainly the occasional tense moment and jolt of fear.

But you’ve also got laughs (primarily thanks to Fran Kranz (Marty) and Bradley Whitford (Hadley)) – and most importantly, the whole meta vibe of the film. It offers up a plate of commentary on the horror genre, of which my brain senses it is only scratching the surface. The interchangeability of the fear source – zombies, ghosts, inbreeds with chain saws, and hell, mermen. The stereotypical characters in most horror flicks – the fool, the jock, the slut, brain, and virgin – which the film’s initially atypical characters descend into, thanks to the controllers behind the cameras. This is an intelligent film, and possibly as close as you can get to sitting in a room with its amazing creators and talking about the genre.

As the film neared its end, and you learn that the destruction of the entire human race is within arm’s reach, my glee reached a precipice and froze – would the filmmakers go full tilt and decimate humanity, or would they puss out and save the world? I was momentarily unsure, but thankfully, since Joss Whedon is involved here, and he likes to kill people, they go for it. The gods burst forth from within the earth, and everybody dies – within which probably lies another layer of horror commentary, and for me, was nearing social commentary. (Annie often speaks of the need for a meteor to strike the earth…and I have a certain predilection for disaster movies (CLOVERFIELD, ANYONE!? Drew Goddard wrote both of these.).)

My main curiosity upon leaving the theater was how the film will hold up upon multiple viewings. Part of the fun is not knowing what’s going to happen, surely. And though I can’t officially say until it comes out on DVD and I buy it – which I will – I have a feeling that this movie is meaty enough – and just plain fun enough – that it will remain enjoyable and relevant.

Horror, gore, laughs, layers, intelligence, gleeful chaos, mystery, cinematic commentary, social commentary – The Cabin in the Woods has quite literally all that and a bag of chips. And the bag of chips is Sigourney Weaver. It’s the most fun you can have while sitting in a chair, but most importantly, it keeps you thinking once you’ve left that chair.